What we bring to what we see.

allegory in art

When we make a snap judgement about what we see, we are being human.

day four

the way we perceive, how we perceive, what we perceive, is it’s manipulation art?

Is the frame we put around a picture, the duration of a performance, the context, are these the things that make it digestible? And within what we can bare to see and experience, the difference between entertainment, distraction and trauma?

I’ve been having a hard time with Facebook and the spectrum of information it assaults one with, this was even before I started chronicling my recovery from a fall. I have posted a picture of my face next to a piece of art  everyday.  (Doing this was my son’s suggestion.  He is a Vancouver artist, Linton Murphy).   I have joined the fray as it were with my posts.  I have no idea how many people are screening me from their news feed now. Ha!

Having a concussion has been interesting.  I have enjoyed an increased sensitivity to colour, while I am more exhausted by the rigours of conversation, preferring cats, dogs and small children to most adults except for the ones who are physically emotive.  People who have hugged me:  A technician who spent a lot of time talking about how she loves her children (while prodding me with an ultrasound device) and the effect of war and poverty on her mother in her home country;   The receptionist at the doctor’s;  The nurse’s assistant from the Philippines who helped me wash my cuts at the hospital. My daughter, her mother-in-law, my son-in-law, my upstairs tenant…  I am not an emotive person normally, nor a hugger. Moments outside watching dramatic cloud formations and being transfixed by awesomeness, for lack of a better word. As it wanes the usualness of my space and my expectations is settling in.  Some changes.  Some.

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